- I assert that God is omnipotent, omniscient, but also all-Evil. How would you disprove this contention? : DebateAChristian
- Someone takes Law’s Evil God Challenge over to /r/DebateAChristian, and makes a pretty good showing of it. Amusing for all the Thomists complaining that the poster doesn’t get it, without quite being able to say what it is OP doesn’t get.
(tags: theodicy stephen-law theology philosophy god good evil thomist aquinas)
- Peter Loggins – On The Importance Of Learning Other Dances Aside From The Lindy Hop : Atilio Menéndez : Free Download & Streaming : Internet Archive
- Loggins on how to dance at a real jazz club where most people are there to listen, and some history related to the old time ballrooms. Plus some advocacy for learning stuff other than lindy (maybe I should brush up my rusty ballroom skills).
(tags: ballroom dancing etiquette jazz lindy lindy-hop history)
- Trevor Copp and Jeff Fox: Ballroom dance that breaks gender roles | TED Talk | TED.com
- A couple of ballroom dancers who have developed various ways of switching lead/follow during the dance.
(tags: dance ballroom gender dancing waltz salsa)
Sayle doesn’t like SCD because it’s a dumbed-down popularity contest. This might be fair: the judges do have dancing knowledge, but the public get a say via a phone vote, and on the programme itself there’s lots of other bollocks which has little to do with art or skill, which is why I got bored with SCD.
Alas, Sayle seems to have falsely conflated the whole of ballroom dancing with SCD. tangokitty’s excellent comment at the Guardian points out that this neglects the large number of social dancers. One unfortunate effect of SCD is that it leaves people (including prospective and newbie ballroom dancers) with the impression that true ballroom dancing will culminate in fake tan and sequins.
Sayle likes the freedom of Northern Soul, which isn’t a partner dance, so is an odd choice for comparison with ballroom. There’s a limit to how much you can go crazy on the floor and also keep dancing with another person. (Neither was Nothern Soul “unselfconscious”, according to the Guardian’s expert commenters). Silly Sayle: improvisation and freedom is why lindyhop is better than ballroom, not why Northern Soul is. Naturally, you should also feel free to make up your own reason why ballroom is better than lindy.
Sayle goes on to say that ballroom tango is “robotic”. I say staccato, you say potato: Sayle’s free to prefer chocolate ice cream to strawberry, but it’s not clear what that has to do with our moral obligation to assist in Marxist class war. He adds that the music is terrible, but in fact, SCD’s music for tango (and paso doble) is often the wrong music for the dance, leading to horrors like this. Ballroom can in fact be sexy (previously), although Sayle’s assertion that a partner dance involving a man and a woman is always about sex is problematic and I’m tempted to set the Tumblr SJWs on him til he’s sorry.
tl;dr: Sayle’s at his best when talking about how crappy popular TV is, but knows bugger all about dance and/or is just trolling to drum up publicity for his new show.
Edit: Metafilter has some interesting discussion on the article.
- A Parable On Obsolete Ideologies – Less Wrong
- Yvain/Scott Alexander on why it might be a bad idea to continue to espouse a belief in God, the Devil and whatnot while having a sort of private understanding of what that means, even if that understanding is more palatable than the original theology.
(tags: psychology religion rationality hitler)
- The Definitive History Of The West Wing
- (tags: west-wing aaron-sorkin television politics)
- The Fox Trot in the Jazz Age – YouTube
- What they called Foxtrot in the 1920s was rather different to the modern ballroom version.
(tags: dancing foxtrot jazz)
- Jazz Age Ballroom Dancing (“The Modern Dances”) | Mass Historia
- A set of web pages on the Jazz Age ballroom dances.
(tags: 1930s 1920s dance jazz foxtrot ballroom)
- Take The A Train
- The AABA structure of “Take the A Train” illustrated in a neat little presentation which tracks the music.
(tags: jazz music)
- The Course of Their Lives – JSOnline
- A fascinating series of articles on the experiences of medical students dissecting a body during their training, interspersed with the reflections of someone leaving her body to the medical school. Via Mefi.
(tags: body anatomy death medical-school dissection medicine)
- What Can We Learn About Human Psychology from Christian Apologetics? – Less Wrong
- Chris Hallquist tries to work out what’s going on with apologetics. It’s Less Wrong, so *do* read the comments.
(tags: religion christianity less-wrong psychology apologetics chris-hallquist)
- DanceSport DJ Ice
- This chap has made ballroom remixes of various popular tunes. Epic (or something).
(tags: music dancing remix ballroom)
- Joe Pass & Ella Fitzgerald – Duets in Hannover 1975 – YouTube
- Great stuff. Via Mefi. Ella’s on about half an hour in.
(tags: singing jazz duet joe-pass ella-fitzgerald video)
- Solitude and Leadership – William Deresiewicz
- William Deresiewicz on the necessity for those who would lead to find time alone to concentrate their thoughts.
(tags: army leadership solitude william-deresiewicz)
Over at What Should We Call Swing Dance, someone posted an image macro about how it’s a bit crushing when someone turns down a dance with you and then goes and dances the same song with someone else. There’s a bit of etiquette (which is shared among the partner dances I’m familiar with) that if you turn someone down, you respond as if you didn’t want to dance that song anyway (“I’m tired, I’ll sit this one out”, “I hate Big Bad Voodoo Daddy”) and then sit out for that song, even if you really refused because you don’t particularly want to dance with that person right now. Conversely, if you do go off and dance the song with someone else, it’s a pretty deliberate signal that you don’t want the orignal asker to ask you again, ever ever. (One can also achieve this with the manner of one’s refusal, of course, but this is an advanced skill: Nikolas Lloyd has a training video).
It being Tumblr, this meme gets called out as heteronormative (Oh Tumblr! Never change!) because the caller-out is a woman who mostly leads but is in one of those rare scenes where there are too many guys (who also mainly lead), and doesn’t like the implication that it’s rude to turn them down when they ask her to follow.
Is there such an implication? Only if the caller-out then goes on to dance that song. The etiquette (and the meme) does not say it’s rude to turn people down. But it does seem like there’s room for some improvement here.
Core Etiquette Addendum 1
If some people are willing to switch (as we call it in my subculture) but most people have a preferred role, and someone is asked to dance the opposite role to their preference, it seems that one could (a) see whether the asker will dance that role instead, and if not (b) dance with someone who will, with no loss of face for the original asker. I hereby declare that people who do this are Not Rude.
There is a further bit of etiquette (not so far referenced in any image macros, as far as I know) which just plain says its rude to turn people down. I agree that this is problematic (as we say on Tumblr). I think it’s usually propagated by dancing teachers in an effort to make dancing more friendly and less cliquey, but you shouldn’t be made to feel guilty for refusing extended physical contact with people you don’t want to have that contact with. The etiquette is exploitable (as we say on 4Chan) by bad actors: see this educational video (Tumblr users: trigger warning for satire).
I cast Summon Shitstorm!
There is a wider question of why it is that men usually lead and women usually follow and whether this is a good thing, but again, Lloyd sorted that out a while ago, so there’s probably no more room for debate about it, I’d’ve thought.