- I assert that God is omnipotent, omniscient, but also all-Evil. How would you disprove this contention? : DebateAChristian
- Someone takes Law’s Evil God Challenge over to /r/DebateAChristian, and makes a pretty good showing of it. Amusing for all the Thomists complaining that the poster doesn’t get it, without quite being able to say what it is OP doesn’t get.
(tags: theodicy stephen-law theology philosophy god good evil thomist aquinas)
- Peter Loggins – On The Importance Of Learning Other Dances Aside From The Lindy Hop : Atilio Menéndez : Free Download & Streaming : Internet Archive
- Loggins on how to dance at a real jazz club where most people are there to listen, and some history related to the old time ballrooms. Plus some advocacy for learning stuff other than lindy (maybe I should brush up my rusty ballroom skills).
(tags: ballroom dancing etiquette jazz lindy lindy-hop history)
- Trevor Copp and Jeff Fox: Ballroom dance that breaks gender roles | TED Talk | TED.com
- A couple of ballroom dancers who have developed various ways of switching lead/follow during the dance.
(tags: dance ballroom gender dancing waltz salsa)
A friend commented the other day that I don’t post much on here any more. I do occasionally write interesting stuff over on Reddit, so I thought I’d make some blog posts based on some of those comments. Here’s a little realisation I had about how we talk about the physics of lindy:
A follower was telling me how she always needs to create her own momentum or she won’t move anywhere, and I responded that if she does so, it breaks one of the most basic rules of following and causes confusion and miscommunication in the dance. — LindyEverywhere on Reddit
Followers aren’t on frictionless wheels. Naturally, they’d stop, but the game is for them to pretend to have a lot less friction than a body on legs actually does (and maybe a bit less mass, too, I think). They’re not just physically getting moved around by the leader without co-operating by playing that game. Shifting people who aren’t co-operating is martial arts, not lindy 🙂
What lindy teachers seem to be referring to when talking about keeping momentum and not injecting energy is that once you’re playing the game, you play it consistently. Maintaining that consistency is not a natural consequence of the physics of the situation, so the follower you were talking to was right to say physically, she’s actually moving herself a lot of the time, or, not having wheels, she’d just stop. Playing the game consistently is a learned skill.
Because this game is so engrained into the dance, a lot of experienced people abbreviate the description of what’s going on by speaking as if what followers do is just allow physics to take its course (when they’re not throwing in their own stuff, I mean), when what they’re actually doing is simulating being a different sort of body and allowing a simulated version of physics to take its course. I imagine this is a bit confusing for beginner follows. (The other thing is that I’ve heard balboa teachers talk about a different simulated physics for follows turning down a line, where they lose angular momentum and so curve in).
One good exercise I’ve seen for teaching this is to play “lindy tennis”: half of you get into a circle, half of you are the tennis balls. The people in the circle set the balls off across the circle with some direction and rotation, which the balls maintain (except for avoiding collisions with teach other). When the balls reach the edge of the circle, the people there catch them and re-direct them (gently!). Playing this fixed an awful lot of “followers stopping themselves” i.e. killing the momentum rather than continuing the line around beat 4 in swing-outs from open, because it teaches what the pretend physics is.
Edit: Thinking about it some more, it seems more “real” at high speeds and when the connection is transmitting an impulse, and more “faked” at low ones and when the leader isn’t exerting a force: in the first case, it may be that it feels like your upper body is being moved by the connection to the leader and you’re just keeping your legs under you so you don’t fall over (which is still kind of a choice, but a natural one), but the thing where follows are told to keep moving at a slow pace having been given a small impulse seems like something you learn to do so as to pretend you’re a frictionless follow moving in a vacuum.
- 86ing a.k.a. Throwing Someone Out Of Your Venue | It’s The Way That You Do It
- After all the discussions on harassment, I’m coming to the conclusion that the hardest thing is not finding the right words for your code of conduct, but actually dealing with the nasty business of having to tell someone they’re doing something wrong and maybe they can’t come back. Here’s a post from someone who’s done it.
(tags: harassment lindy-hop lindy dancing safety)
- The austerity delusion | Paul Krugman | Business | The Guardian
- “It has been astonishing, from a US perspective, to witness the limpness of Labour’s response to the austerity push. Britain’s opposition has been amazingly willing to accept claims that budget deficits are the biggest economic issue facing the nation, and has made hardly any effort to challenge the extremely dubious proposition that fiscal policy under Blair and Brown was deeply irresponsible – or even the nonsensical proposition that this supposed fiscal irresponsibility caused the crisis of 2008-2009.”
(tags: austerity economics deficit debt paul-krugman politics labour)
- David Simon on Baltimore’s Anguish | The Marshall Project
- David Simon (“The Wire”, “Homicide”) blames the drug war for the breakdown of trust between the police and the community following the abandonment of constitutional protections. Points out that the police force is largely black. Petyr Baelish really did cook the crime stats, too.
(tags: baltimore the-wire david-simon drugs police politics)
- A Manual for Creating Atheists – Godless Haven
- “Godless Haven” has a good review of Boghossian’s book, “A Manual For Creating Atheists”.
(tags: review atheism peter-boghossian epistemology)
- Why Some Men Pretend to Work 80-Hour Weeks – HBR
- Interesting research into the sort of place where you’re expected to be available all the time and work all the hours. Some successful men found ways to “pass” i.e. to appear they were hard workers while finding time for other things (like their families). Women tended to ask explicitly for allowances to be made for child care and their careers suffered for it.
(tags: work hours time employment sexism feminism)
I’ve been talking elsewhere, so I thought I’d make some posts about that.
Previously, I talked about the push to introduce codes of conduct for lindy hop events in the wake of a high profile sexual assault case. Over on Reddit, /r/SwingDancing saw quite a bit of discussion of the whole business, as you’d expect.
Someone calling themselves The Logical Lead started a Reddit discussion about a blog post of his and another discussion about where the boundaries of flirting are. His burden seems to be that Mobtown Ballroom’s Code bans flirting and victimises men, because of the third rule, which begins “Don’t treat the ballroom like a pick-up joint.”
He makes the true point that, in the recent case, things were made worse because the perpetrator was a famous and popular teacher. But he then went off the rails in saying that the community’s reaction was victimising men by targeting them rather than only dealing with the abuse of fame, and even implying that the codes would be abused by popular men to corner the market in women. I commented saying that, although the recent case was certainly about the misuse of fame, the discussion that followed allowed many women talk about problems they’d had, most of which were not with famous teachers.
On the question of differentiating flirting and harassment, this thread linked to Dogpossum’s own guide to dating dancers. Some people quibbled about Dogpossum’s advice, but I think the point is that if you’re asking how to do it and not fall foul of a code of conduct, you’re saying you’re not sure of your social skills and need rules. If you are skilled enough not to creep people out anyway, you can probably treat them more as guidelines.
I also bigged up the Northerners’ STEPS code and their FAQ, where they make it clear that “we certainly aren’t suggesting that dancers aren’t allowed to form romantic relationships at our events (including, a-hem, extremely short relationships)”.
On Metafilter, Reddit has a reputation as a terrible place full of MRAs, libertarians and other ne’er do wells, but The Logical Lead didn’t get a very good reception for his stuff, so I suppose it depends which sub-reddits you’re talking about.
- The Open-Office Trap : The New Yorker
- Open offices are horrible. Shame I work in one at the moment.
(tags: office productivity work space)
- Goodnight. Sleep Clean. – NYTimes.com
- Sleep is for your cerebral fluid to clear away the accumulated junk. Maybe.
(tags: sleep insomnia brain neuroscience)
- What is frame?
- “My best definition is that its a social convention for how we hold our bodies so our partner knows where we are in space.” I like 619shepard’s comment because it’s less about modelling people as springs and more about how there are conventions which are taught (some of which will involve behaving like a mass on a spring some of the time, to be sure).
(tags: frame dancing lindy lindyhop reddit swing)
- Bill Nye tests the benefits of swing dancing – latimes.com
- Bill Nye the Science Guy is a swing dancer. He extols the virtues of dancing in a short interview.
(tags: bill-nye science lindy lindyhop dancing swing fitness)
- RDFRS: Secular VIP of the Week: God on Facebook
- The man who plays God on Facebook. I’ve already Liked the page: it’s funny to see him responding to religious people who get offended, usually with much more grace than they show him.
(tags: god facebook funny comedy)
- The science and magic of Lindy Hop | Andy Connelly | Science | theguardian.com
- “Great partner dancers may not know it but they are masters of space, time and Newton’s laws of motion.” Of course we know it: for example, I’ve decided my “dance name” is “The Oncoming Storm”. (I also suspect I know who the Alistair credited at the end is, as he’s a Cambridge person).
(tags: lindy physics dancing lindyhop guardian newton mechanics)
- liv | Against Dawkins
- Is the gene centred view (of which Dawkins is a major proponent) the best one?
(tags: genetics genes richard-dawkins selfish-gene biology science genotype phenotype)
I haven’t had much time for proper blogging lately, but I’ve been commenting elsewhere a bit, so I’m doing a series of short posts about that in an attempt to get back into the proper blogging habit.
Cambridge Vintage Night
One odd thing about this event was that I wasn’t quite sure what it was trying to be: it wasn’t quite advertised as a lindy event, but it was advertised to the local lindy hoppers (on Facebook) and it started with an introductory lindy lesson. There was a reasonable contingent of people from the various lindy scenes around Cambs, but we were outnumbered by muggles. I think everyone complaining about the music being too fast is a lindy hopper and so they mean “too many fast songs for (sustained) lindy” (which I’d agree with). I’m not sure what the non-dancers thought of it. The other Paul (who, if he’s who I think he is, runs a fun local event outside Cambridge, he’s probably too modest to say) has some good points on how you welcome in newbies at lindy events. There are plenty of people in Cambs who know how to do events like that if that’s what you want your event to be.
Playing for lindy hoppers is a different thing from playing from people who’ve come to bop around while wearing flapper dresses (there’s nothing wrong with the latter, of course). Lindy hoppers do turn up to things where there might be suitable music and make what we can of it without feeling hard done by if it doesn’t work out. But if you’ve sort of positioned it as a lindy thing and then it doesn’t work, the people who came thinking it was a lindy thing will be annoyed (hi Mark!)